Named editor-in-chief at biweekly The Cut in January, Lindsay Peoples Wagner took the reins of the fashion magazine after serving in the same role at Teen Vogue — where she was the youngest and among the few Black journalists serving as editor-in-chief of a Condé Nast publication.
DuJuan McCoy began his career in Indianapolis selling TV advertising spots door-to-door. More than three decades later, the media mogul has managed, owned and operated various networks, at one point becoming the only Black person to own and operate a Fox affiliate in the United States.
For the past three years, Madeleine Baran and the team behind the “In the Dark” podcast have worked to uncover the truth behind the case against Curtis Flowers. Flowers was convicted for the 1996 murders of four people inside the Tardy Furniture store in Winona, Mississippi.
When The New York Times Magazine writer Nikole Hannah-Jones pitched the 1619 Project to her editors last year, she didn’t know that people would drive 60 miles to get their hands on the issue the day it dropped or that a few thousand more would line the streets outside the paper’s office nearly two weeks later to snag a copy.
Bringing with him a résumé that included work as a hip-hop musician, a slam poet, a playwright, a performer and even a comic book author, Al Letson joined The Center for Investigative Reporting to help launch and host public radio’s first hourlong investigative journalism show, “Reveal.”
Now a senior media correspondent for CNN and the host of “Reliable Sources,” Brian Stelter’s rise to prominence began as a freshman in college when he created the blog CableNewser (later renamed TVNewser). His blog caught the attention of many media executives and was ultimately bought by MediaBistro.
Three decades ago, Katherine Ann Rowlands started her career in journalism as an intern at Bay City News Service. Now, she’s the owner of the 24/7 news service that covers the greater San Francisco Bay Area. BCN, founded in 1979 with eight offices around the region, provides news feeds to about 100 clients, including TV, radio, digital and print newsrooms.
Jacqueline Thomas, an award-winning writer and editor, was once Washington bureau chief for The Detroit News. She’s appalled by the rhetoric against journalists coming from The White House these days and wants journalists to push back. “When I was a Washington bureau chief, I never had to deal with this many attacks from the White House,” Thomas said.
September 12th, 2018 • Quill Blog, Ten With...
Ten with New York Times Bureau Chief Manny Fernandez
Manny Fernandez, Houston bureau chief for The New York Times, was the editor of his Fresno, California, school newspaper, The Viking Times, in eighth grade. Since then, journalism has been not just a career but a calling. His first full-time job was with the San Francisco Chronicle, where in 1998 he spent months with a group of young homeless people for a series called “Nobody’s Child.”
Christine MacDonald was raised in Michigan, went to college in Michigan and has spent her 20-year career as a journalist at four Michigan newspapers, the past 15 at the Detroit News. That dedication to local journalism gave MacDonald the foundation to publish a series of articles about housing problems and evictions in Detroit, which earned her a Sigma Delta Chi Award in Public Service Journalism (Daily Circulation of 50,001-100,000).
It was fewer than 10 days before Donald Trump’s inauguration when he berated CNN and its reporter, Jim Acosta, during a news conference at Trump Tower. “Quiet,” Trump told Acosta as the reporter tried to answer a question. “Don’t be rude, don’t be rude.”
Angelo Lopez came to California in 1974 and hasn’t left. It wasn’t a gold rush that brought him, but he did live the somewhat nomadic lifestyle of a prospector moving from place to place as a self-described “Navy brat.” Born in Norfolk, Virginia, to Filipino parents, he spent his youth on military bases on the U.S.
April 13th, 2017 • Quill Archives, Ten With...
Ten with Washington Post Columnist Margaret Sullivan
It’s a cliché in journalism to find people who say they always knew what they wanted to be. Margaret Sullivan doesn’t exactly say that, but she admits that she only remembers having one serious idea of what she wanted to be.
Nothing in Tara Gatewood’s career went according to plan. If it had, she says, she would be a photographer somewhere doing “amazing shoots.” Her interest in journalism — and course of study — started with photography at Montgomery College in Maryland, having moved from her home in the Isleta Pueblo tribal community in New Mexico.
Marty Baron took over as editor-in-chief of the Boston Globe at a time before the internet significantly changed the business and distribution of journalism. His pushing of the Globe’s now-famous Spotlight team to deeply pursue the intuitional corruption of the Catholic Church’s clergy sex abuse cover-up in the Boston Archdiocese is portrayed by Liev Schreiber in the Oscar-winning movie “Spotlight.”
Chris Geidner makes a very convincing lawyer, even though his full-time job has him covering law instead of practicing it. He’s eloquent in his delivery, articulate, makes a point well and argues for it. And he’ll answer your questions more than thoroughly.
Marc Maron doesn’t fit the mold of what most people associate with a “journalist.” He has never worked in a newsroom. He won’t go out on assignment. He most likely doesn’t know, or care, whether it’s spelled “lead” or “lede.” Even so, his contributions to the journalism landscape are undeniable.
The world watched in horror on Aug. 26 as two WDBJ journalists – reporter Alison Parker and photographer Adam Ward – were ambushed and murdered on live TV. Video of the attack on the journalists and Vicki Gardner, the person they were interviewing, quickly spread not only on air, but through social media, particularly by Twitter.
Beneath the hot sun, a group of small, colorfully billed Sub-Saharan birds perches on the backs of large mammals, feeding on ticks and other parasites. These birds are oxpeckers, the avian inspiration behind South African journalist Fiona Macleod’s environmental journalism watchdog organization of the same name.
Jose Antonio Vargas is a busy guy. Look at his Twitter bio and you’ll see that, along with all the accounts representing different projects in which he’s involved. He’s also hard to pin down for a phone or even email interview.
Growing up on Long Island, Mike Pesca was an admitted lover of radio. And by his own admission, journalism was “OK. Making up stories seemed fun,” he said. He honed those storytelling and journalism skills at Emory University in Atlanta and eventually made his way back to New York, working for public radio station WNYC and the Leonard Lopate show.
Note: This interview had been condensed for clarity and length. It’s fair to say Melody Joy Kramer’s path to her current job leading digital and social media at NPR was round-about. Or, as she says, “serendipitous.” After all, the ingredients came from applying for a prestigious program, the Kroc Fellowship, which trains people, often not from journalism school backgrounds, to work in public radio.
Jason Leopold is an investigative journalist, recently hired by Vice News. Before landing his recent gig, Leopold freelanced and worked for many other outlets, including Truthout, Al-Jazeera America, Salon, the Los Angeles Times and The Huffington Post. He is best known for work primarily derived from his aggressive pursuit of Freedom of Information Act requests to federal agencies.
Kara Swisher may very well have been spying on your emails (or those of foreign leaders) had she followed her first path. As an undergraduate at Georgetown University’s School of Foreign Service, she was on track to being a spy or diplomat.
It’s hard to think of anyone more “Boston” than John Tlumacki, though he doesn’t have an impossibly thick accent or use the stereotypical “wicked” modifier. Growing up 20 miles north of the city, he attended Boston University to pursue journalism. He got his start in the field as his high school’s yearbook photographer, and even had a stint as a campaign photographer for U.S.
The tagline for this feature is “Quill asks 10 questions to people with some of the coolest jobs in journalism.” But Liz Wahl is on our radar, and the world’s, for the job she doesn’t have. You might not recognize her name off hand, but you probably know the headline: “Anchor resigns on-air to protest coverage of Russia’s invasion of Ukraine.”
Like so many career stories, David Folkenflik’s began with not intentionally majoring in what he ended up doing for the rest of his life. Growing up in Laguna Beach, Calif., the son of two university professors, he attended Cornell University. He studied history and thought he’d get into some kind of public service or public policy.
Jayson Blair. It’s a name that evokes two immediate responses: lies and The New York Times. More than 10 years after the biggest ethics debacle in journalism’s modern day, Samantha Grant is trying to show that there’s much more to the story.
In this issue 10 takes a break from the usual format to highlight a session from SPJ’s joint Excellence in Journalism conference, which took place Aug. 24-26 in Anaheim, Calif. On Monday, Aug. 26, attendees gathered for the Super Session “Journalism, the Department of Justice and National Security: When the Watchdogs are Being Watched.”
NOTE: This issue of 10 looks back at Quill’s May 2006 interview with Kai Ryssdal, host of the popular “Marketplace” from American Public Media. Ryssdal was a featured keynote speaker at the Excellence in Journalism Conference, Aug. 24-26 in Anaheim, Calif.
Growing up in the small, western North Dakota town of Hettinger, Todd Melby didn’t know his upbringing would prepare him for one of the biggest professional projects of his life. Granted, it took him a few decades to realize that, but with age comes wisdom.
At 30 years old, Erin Polgreen is among many noteworthy entrepreneurs in the journalism landscape who are striking out on their own. She also really enjoys a good bourbon and will talk in depth about the merits of top-shelf brands, and the drawbacks of mid-level brands that really aren’t that good but get consumers to think they are.