Blockchain technology and cryptocurrency could add new revenue streams for journalism. Or perhaps they are nothing more than distractions from the industry’s drastic problems. That depends who you ask. Proponents say that blockchain technology and cryptocurrency could open a new revenue stream for journalism, create more security and permanence of news archives, and give readers a new way to engage with news and journalists.
James Graham’s play “Ink” opened April 24 at Broadway’s Samuel J. Friedman Theatre. Quill asked New York-based arts journalist Martha Wade Steketee to take a look and report back. Here are her thoughts. Playwright James Graham’s “Ink” imagines tabloid emperor Rupert Murdoch’s origin story, rooted in a 1969 London we barely see, amidst London landmarks that are named but not evoked, told by characters sometimes half described.
SACRAMENTO, Calif. — Residents across Sacramento said they generally are pleased with the breadth and accuracy of the local news media’s coverage related to the death of Stephon Clark, a 22-year-old unarmed black man killed last year by two police officers.
March 13th, 2019 • Featured, Quill Blog, Quill Archives
110 journalism landmarks for the 110th. Your input requested.
This fall, SPJ continues the celebration of its 110th anniversary with a special print issue of Quill devoted to 110 landmark moments in American journalism. From the first newspaper in America to the publication of the Pentagon Papers and from the printing of the Federalist Papers to the document dumps of Wikileaks, we are looking for the moments that shaped and defined the Fourth Estate.
March 12th, 2019 • Featured, Quill Blog, Quill Archives
SPJ calls on Congress to pass strong Federal Shield Law
Each day, journalists throughout the country are working tirelessly to inform their readers what the government is up to. The free press is one of the most important pillars of American democracy. By reporting the truth, reporters allow the citizenry to elect leaders that represent their values and ideals and craft laws and policies that they believe in.
Journalism is wrapping up a bad week — a week of mischaracterizations in news reports that further tainted the credibility of the industry.
In a post #MeToo era, men’s magazines are pulling sex from their pages. Experts say they shouldn’t. This is not your father’s sex coverage. If there’s one message men’s magazines are sending, it’s that they will not report on sex the way they have in the past.
December 19th, 2018 • Featured, Quill Archives, Membership, SPJ Works
Jailhouse journalism sheds light on life behind bars
It’s a Saturday in mid-September and Nigel Poor and Earlonne Woods have just released Episode 1 of Season 3 of their hit podcast, Ear Hustle. The deadline for Episode 2 is in about 10 days, episode 3 two weeks after that, then four through eight, every two weeks through the end of the year.
Application deadlines for spots next summer at many of the largest (and paying) media organizations have come and gone. For students still looking to land an internship, there’s still time, especially at smaller companies and in newsrooms with new programs.
For 167 years, The New York Times has rigorously investigated important national and world issues and written about them with sophistication for a curious and cultured audience. There have been some serious breaches along the way, including the revelation in 2003 that one of its reporters had been fabricating details of stories and copying the work of journalists at other newspapers.
Looking back on 2018, the troubles of the press were numerous and unrelenting. When the media was forced to cover itself, journalists — and the public — were given stark reminders of issues in the industry. Everything from controversy surrounding anonymous sources to unprovoked violence against reporters have dominated headlines in the past 12 months.
December 7th, 2018 • Featured, Quill Blog, Quill Archives
Broadway play casts spotlight on ‘alternative facts’
Early in the Broadway play “The Lifespan of a Fact,” an editor uses corporate-speak to explain why the fact-checking department at her magazine was done away with, drawing a spattering of laughs from the audience. The woman behind me whispered to her companion, “The ones who laughed at that are all the laid-off journalists here tonight.” In an equally hushed tone, her friend replied, “There’d be more here, except they can no longer afford New York theater prices.” Did that exchange of dialogue in the darkened Studio 54 theater actually happen, or I am using that bit of dialogue to make a point in this article you’re reading?